Physics and Metaphysics in Modern Photography

Physics and Metaphysics in Modern Photography

2014 ""
Physics and Metaphysics in Modern Photography
Physics and Metaphysics in Modern Photography

Physics and Metaphysics in Modern Photography

5.5 | en |

This hybrid project uses a cell-phone to document a series of colour plate advertisements from The 1957 Photographer's Almanac. The footage is then transferred to 16mm film, presenting the advertised technologies of 1957 (coincidentally, the first year a digital image was ever generated) through simultaneous analog and digital lenses. History is collapsed in a comment on the changing terminologies of lens-based practice. (The film's title is taken from the title of an essay appearing in the Almanac, authored by its collected editors).

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5.5 | en |
Synopsis

This hybrid project uses a cell-phone to document a series of colour plate advertisements from The 1957 Photographer's Almanac. The footage is then transferred to 16mm film, presenting the advertised technologies of 1957 (coincidentally, the first year a digital image was ever generated) through simultaneous analog and digital lenses. History is collapsed in a comment on the changing terminologies of lens-based practice. (The film's title is taken from the title of an essay appearing in the Almanac, authored by its collected editors).

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Cast

Director

Christine Lucy Latimer

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